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The Days of Abandonment

Elena Ferrante

9788466353571 DEBOLSILLO
Sinopsis

A gem of contemporary literature from the great Elena Ferrante, the author who has fascinated over 20 million readers in 42 countries and is the greatest enigma in current literature "Ferrante is a born storyteller, as extraordinary and addictive as my beloved John Irving, a ...

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The Days of Abandonment

A gem of contemporary literature from the great Elena Ferrante, the author who has fascinated over 20 million readers in 42 countries and is the greatest enigma in current literature

"Ferrante is a born storyteller, as extraordinary and addictive as my beloved John Irving, a classic writer in the wonderful sense of the word."
Milena Busquets

"One April afternoon, right after lunch, my husband announced that he wanted to leave me. He said it while we were clearing the table..."

Everything changes in Olga's life when, after fifteen years of marriage, Mario leaves her for a young woman. Alone with her two children, the woman's seemingly perfect world crumbles. Trapped within the four walls of the apartment she once called home, Olga doesn't sleep, doesn't eat, and barely recognizes herself: the woman on the other side of the mirror when she looks in the morning is a woman who has lost all her attributes and will have to search for other words to define her and allow her to move forward.

Reading The Days of Abandonment, we become witnesses to a free fall into desolation, a place where nothing makes sense anymore, but as in all good books, in this "soul thriller" there is also room for surprise, and abandonment can open doors that were once walls.

Critics have said:
"Don't be fooled. The greatest mystery is not who Elena Ferrante is or isn't [...]: the mystery is her writing and her evocative power. A torrential, magnetic, unstoppable phenomenon."
Quico Alsedo, El Mundo

"Basically a perfect book."
Maggie Gyllenhaal

"Ferrante's characters are reminiscent of Russian dolls, each one containing another doll, then another, until the last, the most enigmatic."
La Croix

"It's best to accept the game as the author presents it: what matters is not her face, nor the details of her life. What matters is her literature stripped of everything but the text itself."
Elena Hevia, El Periódico

"It's hard to disappoint. But Ferrante skillfully handles the elements that make her strong and that she enhances in her wonderful narrative."
Pilar Parra, ABC

"On my nightstand are Virginia Woolf's diaries, Chekhov's short stories, and Elena Ferrante's novels."
Leïla Slimani

"I'm a fan of her novels, which delve into friendship, as we women understand it, in great detail."
Zadie Smith

"Whenever I enjoy a book, I give it as a gift, and now I would choose one of Elena Ferrante's novels."
Ken Follett

"It captivated me. It had a great impact on me."
Elizabeth Strout

"Elena Ferrante's novels have kept me glued to my armchair, reading and celebrating pages where emotion is never trivial."
Juan Marsé

"When a reader enters these pages, they begin to feel things they have lived, suffered, enjoyed, and they feel them told for the first time from another place, far from clichés, from ideology, from militancy."
Roberto Saviano

"I started with My Brilliant Friend and couldn't stop reading, thinking about the novel."
Hillary Clinton

"The most transcendent revelation of European narrative in the last quarter century."
Robert Saladrigas, La Vanguardia

Editorial: DEBOLSILLO

Fecha de publicación:

Páginas: 224

Empastado: Tapa Blanda

Idioma: Español

Sobre el autor

«No me arrepiento de mi anonimato. Descubrir la personalidad de quien escribe a través de las historias que propone, de sus personajes, de los objetos y paisajes que describe, del tono de su escritura, no es ni más ni menos que un buen modo de leer», comentaba...

«No me arrepiento de mi anonimato. Descubrir la personalidad de quien escribe a través de las historias que propone, de sus personajes, de los objetos y paisajes que describe, del tono de su escritura, no es ni más ni menos que un buen modo de leer», comentaba Elena Ferrante a Paolo di Stefano en una entrevista vía e-mail para Il Corriere della Sera. En efecto, nadie sabe quién es Elena Ferrante, y sus editores de origen mantienen un silencio absoluto sobre su identidad. Alguien ha llegado a sospechar que sea un hombre; otros dicen que nació en Nápoles para trasladarse luego a Grecia y finalmente a Turín. La mayoría de los críticos la saludan como la nueva Elsa Morante, una voz extraordinaria que ha dado un vuelco a la narrativa de los últimos años. El éxito de crítica y de público se refleja en premios y artículos publicados en periódicos y revistas tan notables como The New York Times y Paris Review, y en el documental Ferrante Fever. Recientemente ha sido galardonada con el Belle van Zuylen Ring del Festival Internacional de Literatura de Utrecht y con el Cheltenham Literature Prize en Reino Unido.

En 2010, Lumen publicó Crónicas del desamor, un volumen que reunía las tres novelaspublicadas por la autora hasta el momento: El amor molesto, Los días del abandono y La hija oscura, libros que también publicó por separado en 2018. Tras las adaptaciones cinematográficas italianas de El amor molesto y Los días del abandono, Hollywood ha llevado a la gran pantalla La hija oscura, bajo la dirección de Maggie Gyllenhaal. Tras estos títulos llegó en 2012 la saga «Dos amigas», compuesta por La amiga estupenda, Un mal nombre, Las deudas del cuerpo y La niña perdida: una obra destinada a convertirse en un clásico de la literatura europea del siglo XXI y que ha sido adaptada a una serie de televisión. Su última novela es La vida mentirosa de los adultos (Lumen, 2020), de próxima adaptación a una serie para Netflix. Tras La Frantumaglia (2017), donde Ferrante nos habla de su manera especial de entender la escritura, y La invención ocasional (2019), que recopila los textos que durante un año publicó cada sábado en The Guardian, Lumen publica ahora En los márgenes. Conversaciones sobre el arte de leer y escribir.