{"product_id":"flores-sobre-el-infierno","title":"Flores sobre el infierno","description":"\u003cp style=\"text-align:center\"\u003e\u003cb\u003eAfter Dicker, D'Andrea and Lemaitre, Alfaguara Negra presents the debut of the year: \u003c\/b\u003e\u003ci\u003e\u003cb\u003eFlores sobre el infierno\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003e by Ilaria Tuti, the \u003c\/b\u003e\u003ci\u003e\u003cb\u003ethriller \u003c\/b\u003e\u003c\/i\u003e\u003cb\u003ewith a woman's name.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe first corpse is that of a naked man, with his face disfigured and his eyes gouged out. Something terrifying is happening in the mountains: a newborn has disappeared and a mysterious shadow roams the woods. The case requires all the skills of Teresa Battaglia, a police commissioner specialized in criminal profiling who, every day, walks on hell. Her best weapon is her mind, but lately it is deceiving her; her lucidity is at risk and, therefore, so is the investigation. For the first time in her life, she is afraid.\u003c\/p\u003e \u003cp\u003eTeresa and young inspector Massimo Marini, recently arrived from the city to this mountainous enclave, must carry out the most difficult investigation they have ever faced: a case rooted in the darkest and most shocking episodes of the history of this millennial corner of northern Italy: a hell that still pulses.\u003c\/p\u003e  \u003cp\u003e\u003cb\u003eReviews:\u003c\/b\u003e\u003cbr\u003e«Italy finally has its queen of \u003ci\u003ethriller\u003c\/i\u003e.»\u003cbr\u003eSandrone Dazieri\u003c\/p\u003e \u003cp\u003e«A \u003ci\u003ethriller\u003c\/i\u003e that penetrates the folds of the human soul. An author to follow closely.»\u003cbr\u003eMarta Cervino,\u003ci\u003e Marie Claire\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e«With a complex intrigue, the novel slides like a sled down a slalom of snow at full speed. And it doesn't derail. [...] Tuti achieves a work of intrigue of morbid poetic beauty: the charm of evil.»\u003cbr\u003eLluís Fernández, \u003ci\u003eLa Razón\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e«From the first lines, the landscape and atmospheric conditions become a central character in the plot: the cold, the fog, the forests... Far from the traditional colorful and Mediterranean image that Italian crime fiction exports to the world.»\u003cbr\u003eÁlvaro Soto, \u003ci\u003eLa Verdad\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e«Ilaria Tuti surprises with a fresh style, unusual in an overexploited genre. [...] The story is slow-cooked.»\u003cbr\u003eJuan Luis Sánchez, \u003ci\u003eCrítica de Libros\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e«One of the revelations of the year.»\u003cbr\u003eIda Bozzi,\u003ci\u003e Il Corriere della Sera\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e«A female \u003ci\u003enoir\u003c\/i\u003e bet that is already an editorial phenomenon.»\u003cbr\u003eClaudia Morgoglione,\u003ci\u003e La Repubblica\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e«An addictive \u003ci\u003ethriller\u003c\/i\u003e until the end.»\u003cbr\u003eArianna Boria,\u003ci\u003e Il Piccolo\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e«Masterfully constructed with a perfect plot.»\u003cbr\u003eFabrizio d'Esposito,\u003ci\u003e Il Fatto Quotidiano\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e«Teresa Battaglia is an atypical detective: ugly, grumpy, diabetic: irresistible.»\u003cbr\u003eGianluca Ferraris,\u003ci\u003e Donna Moderna\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e«A novel with all the most classic and exciting elements of the \u003ci\u003ethriller\u003c\/i\u003e genre: children, snow, unconfessable guilt, double and inscrutable lives.»\u003cbr\u003e\u003ci\u003eL'Espresso\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e«A high-level \u003ci\u003ethriller\u003c\/i\u003e. Once again, the paths of Italian \u003ci\u003enoir\u003c\/i\u003e seem endless.»\u003cbr\u003eSergio Pent,\u003ci\u003e La Stampa\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e«Her detective Battaglia has everything we love in a character: charisma, determination and instinct, but also flaws and weaknesses. Unlike many current female characters in crime fiction, she is accepted as she is: a complex person who is not just \"a woman in a man's world.\" And we love that.»\u003cbr\u003eGlenn Tavennec, editor of La Bête Noire\u003c\/p\u003e \u003cp\u003e«Don't trust her sweet smile: Ilaria Tuti drags you into an extremely dark world.»\u003cbr\u003eJean-Marie Wynants, \u003ci\u003eLe Soir\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e«A \u003ci\u003ethriller \u003c\/i\u003ethat convinces and leaves you stunned.»\u003cbr\u003eVictor de Sepausy, \u003ci\u003eActualité.com\u003c\/i\u003e\u003c\/p\u003e","brand":"Ilaria Tuti","offers":[{"title":"Default Title","offer_id":43536089383160,"sku":"9788466350792","price":13.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/4897\/5608\/products\/P350792.jpg?v=1671633988","url":"https:\/\/ellector.com.pa\/es\/products\/flores-sobre-el-infierno","provider":"Librerías El Lector Panamá","version":"1.0","type":"link"}