Inicio The Lost Daughter

The Lost Daughter

Elena Ferrante

9788466353588 DEBOLSILLO
Sinopsis

A brilliant portrait of the ties of motherhood, a gem of contemporary literature by the great Elena Ferrante, the author who has fascinated over 20 million readers in 42 countries and is the greatest enigma of current literature Brought to the big screen under the direction o...

Colección
Autoras
$14.95
Pregunta sobre este producto
Purchase in the next few hours for delivery between Sat, 27 Jun and Mon, 29 Jun
ninguno Purchase in the next few hours for delivery between and
$14.95 · Tapa Blanda

DESCRIPCIÓN

DETALLES

The Lost Daughter

A brilliant portrait of the ties of motherhood, a gem of contemporary literature by the great Elena Ferrante, the author who has fascinated over 20 million readers in 42 countries and is the greatest enigma of current literature

Brought to the big screen under the direction of Maggie Gyllenhaal, starring Olivia Colman, Dakota Johnson, Ed Harris, and Paul Mescal, nominated for 3 Academy Awards

"Ferrante is a born storyteller, as extraordinary and addictive as my beloved John Irving, a classic writer in the wonderful sense of the word."
Milena Busquets

Often, a great journey into our darkest side begins with a meaningless gesture.

Leda is a long-divorced English literature professor, dedicated to her daughters and her work. When they move in with their father, instead of experiencing the nostalgia and loneliness she expected, Leda suddenly feels liberated and decides to take a vacation in a small coastal town. But the days of apparent calm end when we see this middle-aged, discerning woman fleeing the beach with a doll in her arms.

Page after page, a pleasant seaside break turns into the portrait of a stubborn and lonely woman, assailed by questions that lead her to risk everything. In The Lost Daughter, Elena Ferrante's most beloved novel, madness walks hand in hand with absolute lucidity: nothing is superfluous when a meaningless gesture brings us closer to great literature.

Critics have said:

"When I first read this book, I was stunned by its sincerity. It was an electrifying experience [...]. Furthermore, it's a wonderful dramatic story. When I finished, alone in my room, I dropped the book and let my imagination soar. What if, instead of reading it, you could hear these things out loud, if you could see them sitting next to your mother, your husband, or even your daughter? I thought it could be something radical to bring this book to the screen."
Maggie Gyllenhaal

"I didn't think I would play a character like Leda. I don't think I remember a woman like her, portrayed with such honesty, on screen. [#] Elena Ferrante's women are truthful characters."
Olivia Colman

"Don't be fooled. The biggest mystery is not who Elena Ferrante is or isn't [...]: the mystery is her writing and her evocative power. A torrential, magnetic, unstoppable phenomenon."
Quico Alsedo, El Mundo

"It's best to accept the game as the author presents it: what matters is not her face, nor the details of her life. What matters is her literature stripped of everything that is not the text itself."
Elena Hevia, El Periódico

"Ferrante masterfully handles the elements that make her strong and that she enhances in her wonderful narrative."
Pilar Parra, ABC

"On my nightstand are Virginia Woolf's diaries, Chekhov's short stories, and Ferrante's novels."
Leïla Slimani

"I'm a fan of her novels, which address in great detail friendship as we women understand it."
Zadie Smith

"Whenever I enjoy a book, I give it as a gift, and now I would choose one of Elena Ferrante's novels."
Ken Follett

"It has captured me. It has had a great impact on me."
Elizabeth Strout

"Elena Ferrante's novels have kept me glued to my armchair, reading and celebrating pages where emotion is never trivial."
Juan Marsé

"When a reader enters these pages, she begins to feel things she has lived, suffered, enjoyed, and she feels them recounted for the first time from another place, far from clichés, from ideology, from militancy."
Roberto Saviano

"The most transcendent revelation of European narrative."
Robert Saladrigas, La Vanguardia

Editorial: DEBOLSILLO

Fecha de publicación:

Páginas: 152

Empastado: Tapa Blanda

Idioma: Español

Sobre el autor

«No me arrepiento de mi anonimato. Descubrir la personalidad de quien escribe a través de las historias que propone, de sus personajes, de los objetos y paisajes que describe, del tono de su escritura, no es ni más ni menos que un buen modo de leer», comentaba...

«No me arrepiento de mi anonimato. Descubrir la personalidad de quien escribe a través de las historias que propone, de sus personajes, de los objetos y paisajes que describe, del tono de su escritura, no es ni más ni menos que un buen modo de leer», comentaba Elena Ferrante a Paolo di Stefano en una entrevista vía e-mail para Il Corriere della Sera. En efecto, nadie sabe quién es Elena Ferrante, y sus editores de origen mantienen un silencio absoluto sobre su identidad. Alguien ha llegado a sospechar que sea un hombre; otros dicen que nació en Nápoles para trasladarse luego a Grecia y finalmente a Turín. La mayoría de los críticos la saludan como la nueva Elsa Morante, una voz extraordinaria que ha dado un vuelco a la narrativa de los últimos años. El éxito de crítica y de público se refleja en premios y artículos publicados en periódicos y revistas tan notables como The New York Times y Paris Review, y en el documental Ferrante Fever. Recientemente ha sido galardonada con el Belle van Zuylen Ring del Festival Internacional de Literatura de Utrecht y con el Cheltenham Literature Prize en Reino Unido.

En 2010, Lumen publicó Crónicas del desamor, un volumen que reunía las tres novelaspublicadas por la autora hasta el momento: El amor molesto, Los días del abandono y La hija oscura, libros que también publicó por separado en 2018. Tras las adaptaciones cinematográficas italianas de El amor molesto y Los días del abandono, Hollywood ha llevado a la gran pantalla La hija oscura, bajo la dirección de Maggie Gyllenhaal. Tras estos títulos llegó en 2012 la saga «Dos amigas», compuesta por La amiga estupenda, Un mal nombre, Las deudas del cuerpo y La niña perdida: una obra destinada a convertirse en un clásico de la literatura europea del siglo XXI y que ha sido adaptada a una serie de televisión. Su última novela es La vida mentirosa de los adultos (Lumen, 2020), de próxima adaptación a una serie para Netflix. Tras La Frantumaglia (2017), donde Ferrante nos habla de su manera especial de entender la escritura, y La invención ocasional (2019), que recopila los textos que durante un año publicó cada sábado en The Guardian, Lumen publica ahora En los márgenes. Conversaciones sobre el arte de leer y escribir.