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My Brilliant Friend (Two Friends 1)

Elena Ferrante

9788466344357 DEBOLSILLO
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A jewel of contemporary literature that has already fascinated more than 20 million readers and has been translated into 42 countries. A MEMORABLE SAGA "Ferrante is a born storyteller, as extraordinary and addictive as my beloved John Irving, a classic writer in the wonderfu...

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My Brilliant Friend (Two Friends 1)

A jewel of contemporary literature that has already fascinated more than 20 million readers and has been translated into 42 countries.

A MEMORABLE SAGA

"Ferrante is a born storyteller, as extraordinary and addictive as my beloved John Irving, a classic writer in the wonderful sense of the word."
Milena Busquets

With My Brilliant Friend, Elena Ferrante inaugurates a dazzling saga that has the city of Naples in the middle of the last century as a backdrop and Lenù and Lila as protagonists, two young women who are learning to govern their lives in an environment where cunning, rather than intelligence, is the ingredient of all sauces.

The tempestuous relationship between Lila and Lenù shows us the reality of a neighborhood inhabited by humble people who accept without question the law of the strongest. Those who fill these pages with their laughter, their gestures and their words are men and women of flesh and blood, who shake us with the force and urgency of their emotions.

The first Italian novel in decades that, according to The Guardian, deserves the Nobel Prize has conquered more than twenty million readers and has been adapted for television in a great series.

Reviews from authors, press and celebrities who praise Elena Ferrante's work:
"Elena Ferrante is a vice that spreads from reader to reader."
Marian Izaguirre

"I love Lenù so much... I cried reading her."
Jonathan Franzen

"The wonderful thing about the Ferrante enigma is that we can concentrate only on her works."
Roberto Saviano

"Elena Ferrante's novels have kept me glued to my armchair, reading and celebrating pages where emotion is never trivial: the pain and joy of feeling alive are there for the reader to make their own and everything that is said is necessary, without a single adjective being superfluous or missing."
Juan Marsé

"I read the Neapolitan Novels saga when they came out and I remember waiting for the third and fourth to be translated into English and running to the bookstore to buy them as soon as they were available."
Maggie Gyllenhaal

"Everyone should read anything by Elena Ferrante."
The Boston Globe

"The first Italian work in decades that deserves the Nobel Prize."
The Guardian

"Elena Ferrante may be one of the best authors you've ever heard of."
Time

"It's best to accept the game as the author presents it: what matters is not her face, nor the details of her life. What matters is her literature stripped of everything that is not the text itself."
Elena Hevia, El Periódico

"Like Anna Karenina, Lila and Elena are volatile, full of desire and anger. They also break domestic conventions, but what fascinates me is that, instead of eradicating them, Ferrante develops them in all their chaos and pain."
Los Angeles Times

"Ferrante is a literary phenomenon. Zadie Smith, Juan Marsé or Ken Follet, among others, have paid homage to her."
Núria Escur, La Vanguardia

"I... have no words to describe what it feels like to discover a treasure like this. Those of you who enjoy reading will understand me. How did I not know Elena Ferrante? Her Naples saga is fascinating."
Carmen Chaparro

"I'm a fan of her novels, which deal in great detail with friendship as we women understand it."
Zadie Smith

Editorial: DEBOLSILLO

Fecha de publicación:

Páginas: 392

Empastado: Tapa Blanda

Idioma: Español

Sobre el autor

«No me arrepiento de mi anonimato. Descubrir la personalidad de quien escribe a través de las historias que propone, de sus personajes, de los objetos y paisajes que describe, del tono de su escritura, no es ni más ni menos que un buen modo de leer», comentaba...

«No me arrepiento de mi anonimato. Descubrir la personalidad de quien escribe a través de las historias que propone, de sus personajes, de los objetos y paisajes que describe, del tono de su escritura, no es ni más ni menos que un buen modo de leer», comentaba Elena Ferrante a Paolo di Stefano en una entrevista vía e-mail para Il Corriere della Sera. En efecto, nadie sabe quién es Elena Ferrante, y sus editores de origen mantienen un silencio absoluto sobre su identidad. Alguien ha llegado a sospechar que sea un hombre; otros dicen que nació en Nápoles para trasladarse luego a Grecia y finalmente a Turín. La mayoría de los críticos la saludan como la nueva Elsa Morante, una voz extraordinaria que ha dado un vuelco a la narrativa de los últimos años. El éxito de crítica y de público se refleja en premios y artículos publicados en periódicos y revistas tan notables como The New York Times y Paris Review, y en el documental Ferrante Fever. Recientemente ha sido galardonada con el Belle van Zuylen Ring del Festival Internacional de Literatura de Utrecht y con el Cheltenham Literature Prize en Reino Unido.

En 2010, Lumen publicó Crónicas del desamor, un volumen que reunía las tres novelaspublicadas por la autora hasta el momento: El amor molesto, Los días del abandono y La hija oscura, libros que también publicó por separado en 2018. Tras las adaptaciones cinematográficas italianas de El amor molesto y Los días del abandono, Hollywood ha llevado a la gran pantalla La hija oscura, bajo la dirección de Maggie Gyllenhaal. Tras estos títulos llegó en 2012 la saga «Dos amigas», compuesta por La amiga estupenda, Un mal nombre, Las deudas del cuerpo y La niña perdida: una obra destinada a convertirse en un clásico de la literatura europea del siglo XXI y que ha sido adaptada a una serie de televisión. Su última novela es La vida mentirosa de los adultos (Lumen, 2020), de próxima adaptación a una serie para Netflix. Tras La Frantumaglia (2017), donde Ferrante nos habla de su manera especial de entender la escritura, y La invención ocasional (2019), que recopila los textos que durante un año publicó cada sábado en The Guardian, Lumen publica ahora En los márgenes. Conversaciones sobre el arte de leer y escribir.