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The Lost Girl (Two Friends 4)

Elena Ferrante

9788466344388 DEBOLSILLO
Sinopsis

La niña perdida brings to a close "Two Friends," the story of two friends who were born in Naples in the mid-20th century. A MEMORABLE SAGA "Ferrante is a born storyteller, as extraordinary and addictive as my also beloved John Irving, a classic writer in the wonderful sense...

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The Lost Girl (Two Friends 4)

La niña perdida brings to a close "Two Friends," the story of two friends who were born in Naples in the mid-20th century.

A MEMORABLE SAGA

"Ferrante is a born storyteller, as extraordinary and addictive as my also beloved John Irving, a classic writer in the wonderful sense of the word."
Milena Busquets

Lina and Elena are now adults and have taken different paths: Elena left Naples to marry and become a successful writer in Florence. Only a rekindled youthful love will bring her back to Naples, where Lina awaits her. Lina is now a mother and has also succeeded in her own way in the local business. Elena is the cultured lady, Lina is seemingly the neighborhood woman, ignorant and unwilling to refinement, but pure intelligence and intuition are on Lina's side.

Events accelerate when one day, Lina's daughter suddenly disappears: murder, kidnapping, death? No one knows, and the neighborhood whispers. Since then, Lina is no longer the same and madness lurks. Everything – men, women, the landscape, the entire city of Naples – become witnesses to the grief of a mother who doesn't know how to cry and who one day will also disappear, bringing the reader back to the first pages of this splendid saga.

Intelligence, contained emotion, writing that adapts to events and fits the plot like a glove: everything is in these pages where one of the most brilliant works of the 21st century has been woven.

"I only wanted to tell the lives of two women. And to do so, it was necessary for me to filter history into the background of their existences, the things that in one way or another had to do with them. I would like the story to help contemplate in narrative terms a piece of Italian history."
Elena Ferrante

Reviews by authors, press, and celebrities praising Elena Ferrante's work:
"Elena Ferrante is a vice that spreads from reader to reader."
Marian Izaguirre

"Elena Ferrante's novels have kept me tied to my armchair, reading and celebrating pages where emotion is never trivial: the pain and joy of feeling alive are there for the reader to make their own, and everything said is necessary, without a single adjective being superfluous or missing."
Juan Marsé

"The wonderful thing about the Ferrante enigma is that we can concentrate only on her works."
Roberto Saviano

"I love Lenù so much... I cried reading her."
Jonathan Franzen

"I read the Two Friends saga when they came out and I remember waiting for the third and fourth to be translated into English and rushing to the bookstore to buy them as soon as they were available."
Maggie Gyllenhaal

"Elena Ferrante has written extraordinary, indecently honest novels (...) With her writing, she strips the skin off routine."
The New York Times

"She is surely the most transcendent revelation of European narrative in the last quarter century."
Robert Saladrigas, La Vanguardia

"Elena Ferrante may be one of the best authors you've ever heard of."
Time

"An epic love story, destined to be one of the great works of Western literature."
Huffington Post

"I... have no words to describe what it feels like to discover a treasure like this. Those of you who enjoy reading will understand me. How did I not know Elena Ferrante? Her Naples saga is fascinating."
Carmen Chaparro

Editorial: DEBOLSILLO

Fecha de publicación:

Páginas: 544

Empastado: Tapa Blanda

Idioma: Español

Sobre el autor

«No me arrepiento de mi anonimato. Descubrir la personalidad de quien escribe a través de las historias que propone, de sus personajes, de los objetos y paisajes que describe, del tono de su escritura, no es ni más ni menos que un buen modo de leer», comentaba...

«No me arrepiento de mi anonimato. Descubrir la personalidad de quien escribe a través de las historias que propone, de sus personajes, de los objetos y paisajes que describe, del tono de su escritura, no es ni más ni menos que un buen modo de leer», comentaba Elena Ferrante a Paolo di Stefano en una entrevista vía e-mail para Il Corriere della Sera. En efecto, nadie sabe quién es Elena Ferrante, y sus editores de origen mantienen un silencio absoluto sobre su identidad. Alguien ha llegado a sospechar que sea un hombre; otros dicen que nació en Nápoles para trasladarse luego a Grecia y finalmente a Turín. La mayoría de los críticos la saludan como la nueva Elsa Morante, una voz extraordinaria que ha dado un vuelco a la narrativa de los últimos años. El éxito de crítica y de público se refleja en premios y artículos publicados en periódicos y revistas tan notables como The New York Times y Paris Review, y en el documental Ferrante Fever. Recientemente ha sido galardonada con el Belle van Zuylen Ring del Festival Internacional de Literatura de Utrecht y con el Cheltenham Literature Prize en Reino Unido.

En 2010, Lumen publicó Crónicas del desamor, un volumen que reunía las tres novelaspublicadas por la autora hasta el momento: El amor molesto, Los días del abandono y La hija oscura, libros que también publicó por separado en 2018. Tras las adaptaciones cinematográficas italianas de El amor molesto y Los días del abandono, Hollywood ha llevado a la gran pantalla La hija oscura, bajo la dirección de Maggie Gyllenhaal. Tras estos títulos llegó en 2012 la saga «Dos amigas», compuesta por La amiga estupenda, Un mal nombre, Las deudas del cuerpo y La niña perdida: una obra destinada a convertirse en un clásico de la literatura europea del siglo XXI y que ha sido adaptada a una serie de televisión. Su última novela es La vida mentirosa de los adultos (Lumen, 2020), de próxima adaptación a una serie para Netflix. Tras La Frantumaglia (2017), donde Ferrante nos habla de su manera especial de entender la escritura, y La invención ocasional (2019), que recopila los textos que durante un año publicó cada sábado en The Guardian, Lumen publica ahora En los márgenes. Conversaciones sobre el arte de leer y escribir.